https://www.lindatien.com/pit-bulls-light daily 0.75 2020-06-14 https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1421885964854-5YS17WXQIZ6GY5MZLFDC/Express+to+Impress.jpg Video - Express to Impress https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1591233902785-GL43XDKE1WSJ4MVG7GX6/image-asset.png Video - The Perfect Fit https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1421885964854-5YS17WXQIZ6GY5MZLFDC/Express+to+Impress.jpg Video - Express to Impress https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1421886007033-JS33EETIC2YKVICEJUP1/image-asset.jpeg Video - Getting Ready https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1421886032846-C8G9AZ4RSPN4LUO2BFWL/image-asset.jpeg Video - Ready https://www.lindatien.com/not-at-all daily 0.75 2016-08-15 https://static1.squarespace.com/static/54b9581be4b0bb2b01a3c203/t/57b1e824ebbd1ae08fc51c20/1468590999611/ Not at All https://static1.squarespace.com/static/54b9581be4b0bb2b01a3c203/576467e9d482e92ff4054cf2/5788eb97414fb584f8e5bfd8/1468590999611/ Not at All https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591146167-96594NLKI11V3BMCV5QB/molly_grass_1_sm.jpg Not at All - Not at All 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer"   "Not at all is part of a larger exhibition: The Future Past L.P. Hartley referred to the past as a "foreign country," sometimes it can feel more like the place that we call home. The Future Past is the next exhibition in art + space’s site-responsive programming. The project explores themes of memory through object, light, word, sound and performance. In considering the deep and emotional history of the site, the project will acknowledge the ghosts of what existed while celebrating the future for what remains. Central State Hospital, created in 1827, once cared for nearly 3,000 patients on its 140 acre grounds. Funding cuts led to the hospital’s closure in 1994 and the site, left vacant and deteriorating for years, is being revitalized by Reverie Estates. Reverie’s mission of developing creative communities through the rehabilitation and reuse of historic properties is exemplified in the multi-building Historic Central State project which features Historic Central State Mansion, a co-living community also open to students, and 1899, a high end events venue, with other opportunities to come. art + space’s programming promotes forward thinking contemporary art and design by mid-career and emerging artists. Our site-responsive exhibitions provide temporary platforms for collaborative, innovative artist led projects. The goal is to use these transitional spaces to showcase art and ideas around the city. ARTISTS: Megumi Shauna Arai Kathryn Armstrong Cody Arnall Hannah Barnes Hanna Benn Carissa Carman Copy Culture Emily Kennerk Lindsey Maestri Michael Milano Colin Tuis Nesbit NoExit Performance Kipp Normand Jamie Pawlus PRINTtEXT Marco Querin Casey Roberts Scott Stulen Jeffrey Teuton Lauren Zoll Historic Central State, Carpentry Hall, 164 Steeples Blvd, Indianapolis IN" Photo Credit: Ben Jaggers https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591147985-LQNVPIAU6501TGDTK3RN/Molly_stacking_red.jpg Not at All - Order/Reorder 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers   https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591151001-OEK76LMT2BW0US7C1OGB/rose_widing_up.jpg Not at All - Pully of the filth 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591154854-D6FU9OYU6O2O7AKVTO1A/sweep.jpg Not at All - Sweep 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591152306-W5AIFNZ0342NNVD8DIFO/social_washing.jpg Not at All - Social washing 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591159402-IJRRD3WZUGMOX2X69323/Sweep2.jpg Not at All - Barefoot pacing 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591166251-CJ1F7SDZ5TXTX68N3BB9/Team_lawn.jpg Not at All - Lawn 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1468591168158-RLAZ6CZ2G33IYEUML40A/wash_stripe.jpg Not at All - Washing stripe 2016 "Site Specific Performance by Carissa Carman Not at all is a series of actions narrating the trials and circumstances of domestic and institutional dismiss. It describes the precarious presence of the in-between state of resident and service worker. Four locations circulate an abandoned Mental Hospital, bridging actions of order, exhaustion, and making space for mundane neurosis’s. The collection of artists engage in rhythms of maintenance, of real and imagined spaces of the intuitive and introspective psyche. This “health camp” of provisional wholeness is an act-out in sequential abnormal outbursts of irrationality. Not at all is a gesture, a nod to passively allowing close encounters for order, disorder, and momentary lapses teetering on just what is normal. Materials: Ironing board cloth aprons, sod, stainless buckets, string, breath, soap, brushes, rags, stitching, lemons, water, platform, bell Participants: Carissa Carman, Molly Fox, Linda Tien, Rose Schlemmer" Photo Credit: Ben Jaggers https://www.lindatien.com/bead-box daily 0.75 2016-10-12 https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278126259-AH5A8EY07HC3GBCBT1FU/Bead+Box+II.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278126259-AH5A8EY07HC3GBCBT1FU/Bead+Box+II.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278132201-0IU08KMYLVJISBBNK8CI/Bead+Box.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278126084-0KS8PXS6ZVYJPEW9FSF5/Bead+Box-Detail+I.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278128556-FA0BKCQ9RU1XU0GP5WWZ/Bead+Box-Detail+II.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278128946-S6LPUHUUR8TRBLJ1TQGF/Bead+Box-Detail+III.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476278132841-7959E8LFQZDD8H9OMDWO/Bead+Box-Detail+IV.jpg Bead Box - Bead Box 2014 porcelain, earthenware, stoneware, underglaze, glass, goldlustre, silver, pine, paint, found object 7“x9”x7” A collaboration with Katie Baczeski. Both heavily invested in the utilization of installation, performance, video and audio, Katie and I were excited to work together and rediscover our creative roots through making with our hands. We both traced our artistic and hand-laboring tendencies back to our families at home. We share similar experiences of learning and helping to cook, traditional, but rather laborious, dishes with our families. As we sat together making beads, we found ourselves enveloped in conversation, much like the ones we experience with our families. With all the beads we made, we were able to create Bead Box, whose owner we consider as the third collaborator. https://www.lindatien.com/work-avenue daily 1.0 2025-05-09 https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1491421696944-I7CTS99CI47CLY3EOGBK/IMG_0259.jpg Work https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1612034091351-7B5SP5ICXV2UUEIVYL8N/_MG_5697.jpg Work https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1471025813108-DOD5VXGNYTAUGAYOIO8E/RID14.jpg Work https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1476283219891-03SKHEKMH7O6ZRF4FQ45/Lacrimo+Specimans.jpg Work https://www.lindatien.com/about daily 0.75 2024-02-14 https://images.squarespace-cdn.com/content/v1/54b9581be4b0bb2b01a3c203/1613336409543-ZJRL05SGTRBTAUGM1L4B/Tien%2C+Linda.jpg About https://www.lindatien.com/statement daily 0.75 2021-03-20